Sunday, December 12, 2021

Friends of Babbie's: Emily Nichols Hatch

Hatch in her studio w/ "Rosemary Enters" 
Goldenrod by the Sea, Belle Harbor, NY | 1904

Emily Nichols Hatch was born in Newport, Rhode Island, in 1871. She studied at the Artists and Artisans Institute, and the Shinnecock Summer School of Art on Long Island with Charles Hawthorne, Walter Shirlaw and William Merritt Chase. 

She made several trips to Europe and had a studio in Paris. She was listed as portrait painter, wood-block printer, lecturer, teacher, and writer. In 1912, she was the recipient of the Macmillan Portrait Prize from the Woman's Art Club of New York. She was a member of the Pen and Brush Club, and the National Association of Women Painters and Sculptors, where she served as President from 1921 through 1925. Elizabeth Cady Stanton served as President from 1928 to 1930. 

LHW Photo, Orchard at 49 N Main

Around 1917, Lizbeth Halsey White notes in her scrapbook: "The old mulberry tree in the orchard and the swing. Emily [Nichols] Hatch painted a picture of this which has hung in several exhibits. Babbie, Manda, Jo, Ibby, and Boo." 


On 6 July 1922, her work, "Rosemary Enters" [Portrait of a Woman] was included in an exhibit of paintings by the National Association of Women Painters and Sculptors at Memorial Hall. Additional work included Edith Stowe Phelps’ group “Mother and Children;” Hilda Belcher’s “Aunt Jennifer’s China”; Christine Hefler’s “French Woman,” and Lucy Taggart’s “Janet.” 

Rosemary Enters | 1914
The Southampton Press covered the opening saying, "There are portraits and child studies, landscapes, flowers, etc., all beautifully executive." On July 1, 1922, Babbie resigned her position as the Secretary of the Committee Building in Ithaca to study in New York City. It's extremely likely that she was at the art opening, sponsored by Samuel Parrish, which also included a musical program. 

In 1940, Hatch became the Director of the Art Center in Tarrytown, New York. Hatch died in 1959, and her papers are in the Archives of American Art at the Smithsonian Institution. 

Dora on the Beach at Belle Harbor | c 1900

Portrait of a Child | c 1952



A Dip in the Ocean | 1906

Prout's Neck Beach, Maine | 1920

Coastal View | 1920

Untitled Water Color




Monday, October 18, 2021

Jesse Halsey 1935

  

"Twenty-five years ago, I was ordained. A quarter of a century and I have seen the overturning of all the substantial verities of my youth and of that generation into which I was born. The greatest war in history, in it I had a little part; the eternal verities of many centuries have been challenged—who can say how successfully; the Bible, the bulwark of my fathers faith, for twelve generations has been entirely re-edited (as it were) and the swift succession of mechanical invention and scientific knowledge has revolutionized the world of communication of transportation and of travel. I pinch myself to see if I am I." --Reverend Jesse Halsey 1935 

Thursday, October 7, 2021

The Seventh Church, Rev. Jesse Halsey, D.D., Pastor


22 May 1930 | The Presbyterian Banner

The Seventh Presbyterian Church in Cincinnati is looked upon as one of the most influential in Cincinnati. For sixteen years the present pastor has led his people on in a steady forward march.

 

There is no more modest man in the ministry, nor more princely in character. His influence permeates into every nook and corner and particularly where there is need. In some mysterious way he has an intuition for sensing homes of sorrow and need—and his sense of duty draws him away from everything else and carries him to those whom he can help. His congregation is the wealthiest in the Presbytery, but the pastor is ever alert for the needs of the humble. Jesse Halsey has not an enemy in the world and all who know him cherish his friendship as a choice treasure. Like the Master, he goes about doing good.