“With rich local history surrounding every American
village or country, it is a great pity not to make your own pageant and present
to the people pictures from the pages of their own living history which shall
give to every child present some understanding of his goodly heritage. The
local history of every village is so related to the national history that it is
possible to gather outstanding facts of the town history and give them a
national significance. There are always old people who can tell you what
happened in their grandfather’s time. There are further sources of information
to be found in church records, town records, old diaries, old account books,
even; and sometimes a chronicle of events compiled by some local historian is
available. There are attics which contain spinning wheels, quilting frames,
candle moulds; there are hair cloth trunks which will give forth costumes of
past generations; there are woodsheds in which lie dusty vehicles. All these
can help to make vivid many an event of long ago.” --
"The Historical Pageant in the Rural Community" by Abigail
Fithian Halsey published in the Cornell Extension Bulletin, June 1922, Issue No. 54, Publishedby the the New York State Collegeof Agriculture at Cornell University, Ithaca, New York
Showing posts with label pageants. Show all posts
Showing posts with label pageants. Show all posts
Wednesday, November 6, 2019
Monday, September 14, 2015
"Moving Pictures for Thanksgiving."
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| The Expositor | November 1918 |
Thursday, December 18, 2014
275th Anniversary of Southampton | 1915
| "the place for their descendants to possess both freedom of body and mind--Long Island." |
| Brooklyn Daily Eagle | 14 March 1915 |
Wednesday, December 10, 2014
Miss Halsey Resigns Post
Thursday, September 13, 2012
Celebration of the Two Hundred and Seventy-fifth Anniversary of the Founding of the Town of Southampton, N. Y.
June 12, 1915
Celebration of the Two Hundred and Seventy-fifth Anniversary of the Founding of the Town of Southampton, N. Y.
Celebration of the Two Hundred and Seventy-fifth Anniversary of the Founding of the Town of Southampton, N. Y.
INTRODUCTION
The Pageant, as it was worked out,
surpassed even the fondest dreams of its originators. The beautiful day made
the setting at the head of Lake Agawam perfect. Every seat on the grand stand
was filled, the parking spaces were crowded, and the rest of the people filled
Pond Lane and lined the shores of the lake for a long distance. If the Pageant
Committee had needed inspiration, the enthusiastic audience would certainly
have furnished it. As one scene succeeded another in perfect rhythm, we could
not believe that these people were the men, women, and children who had given
their time from their daily work or play to make this a success. The community
spirit developed was wonderful! Each part was taken with conviction, one might
almost say reverence, and joy. Nothing that the people of Southampton ever did
yielded such large returns. From the beautiful Dance of the Woods and Waters in
the Prologue to the inspiring vision of Southampton's future citizens — one
hundred tiny children — marching to greet the Spirit of old Southampton and
vowing allegiance to the tradition of her noble past, every part was performed
with zeal and grace. One of the most striking features was the old-time Whale
Rally — a thing that can never be duplicated because it was given by men, every
one of whom had followed the sea in years gone by. The historical scenes were
carefully reproduced, the Interludes were happily planned to give a lightness
and freedom to the pro- gram that left nothing to be desired. As all joined in
singing "America" at the close, there was not one in all the six
thousand witnesses but felt his spirit lifted and dedicated to a larger civic
service and a deeper consciousness of our "goodly heritage." --Abigail
Fithian Halsey
Historic
newspaper and scrapbook images courtesy Lizbeth Halsey White Files,
Southampton Historical Museum Archives and Research Center.
"go forward toward that larger, freer, nobler, happier Southampton that is to be.”
“And
so, upon this holiday, Southampton, to you and to the future I commit this charge.
Be loyal to the ideals of your past as you go forward toward that larger,
freer, nobler, happier Southampton that is to be.”
SINGING OF “AMERICA”
The
parade which succeeded the pageant was, without exception, the most brilliant
spectacle Southampton has ever witnessed. Immediately after the singing of "America," in
which the several thousand present had so heartily joined, the marshal and his
aides on horseback led the way from the park to Monument Square, where the
parade was formed. These, closely
followed by the band, led the line of march, with the veterans and the boys in
blue of the Civil War episode coming after. Then came the pageant characters, each
in their respective groups, marching two and two, led by the Herald and the Spirit
of Southampton, two most impressive figures, each representing so perfectly the
parts represented. Following the pageant characters came the fire department,
with decorated automobiles bringing up the rear.
It was estimated that at least 10,000 people visited
Southampton that day. Almost as many were turned away from the grounds as could
be admitted, and these were lined up along the street to view the parade. The
line of march continued from Monument Square through Job's lane and Main
street, down Bridgehampton road and Elm street to the railroad station, from
thence back by Main street to disband at Monument Square. Crowds were assembled
all along the line, especially on Job's lane and Main street, and cheered most
enthusiastically as each group appeared. From the wood nymphs in the lead to
the hundred children representing the future of America in the final episode,
it was difficult to decide which group received most attention. The Puritans
and Indians were ever popular figures, while the sailor boys and the wedding
party seemed to be especial favorites. The veterans and the boys in blue won
loud applause, while the boys of Southampton's efficient fire department, never
in better form than on this occasion, received their full share of
approval.
It was, indeed, a
beautiful spectacle. The rich colors of the pageant costumes in the fading
light of a perfect June day, made an impression which can never be forgotten by
the many who witnessed it — a day in which a splendid community spirit,
assisted by all which nature can offer at this season of the year, had combined
to make a complete success far beyond the hopes of its promoters. Just a word
as to the author of the pageant, Miss Abigail Fithian Halsey.
A student of history and a native of
old Southampton, for her its local history had always peculiar charm. The idea
of the pageant as the most appropriate way of celebrating the 275th anniversary
had been in her mind for a long time. When her plan was proposed to the
committee in charge of the event, it seemed so much more of an under-taking
than could be carried to ultimate success, that it was thought quite
impracticable; but Miss Halsey’s conviction and enthusiasm won such confidence
that exactly one month before the time for the celebration it was decided to
follow the plan proposed, which was done almost to the letter. The committee was most fortunate in
securing the co-operation of Mr. Robert K. Atkinson, of the Sage Foundation in
Sag Harbor, who, as pageant master, carried out so sympathetically and to such
successful conclusion the event which gave color to a day of celebration which
will be long remembered by all who had participated in it. L. H. W.
Lizbeth Halsey White | June 12, 1915 | Celebration of the Two Hundred and
Seventy-fifth Anniversary of the Founding of the Town of Southampton, N. Y.
Tuesday, September 11, 2012
"Historical Pageant on the Reservation"
| Shinnecock Indians c1939 |
Friday, June 23, 1939
Members of the Shinnecock Tribe Will Present History in Six
Episodes
On Saturday, July 1st at 3:30 p.m. a pageant,
written and directed by Miss Abigail F. Halsey will be presented on Shinnecock
Reservation, near Southampton. In this manner the descendents of the
Shinnecocks of 1640 will tell the story of the ancient days and ways of their
ancestors, the coming of the first white man, and their treaty with hi “Never
sworn to and never broken;” the coming the Christian missionaries and Christian
teachers, Azariah Horton and Sarrison Occom being the first; the first June meeting
under the great Cuffee; the lament of the Indian women whose news reaches them
that so many of the men had lost their lives in the Circassian disaster in
1876; and a finale in which they will express their hope for the future—the
days that are yet to be.
This pageant is being presented in connection with the
building of a new church and parish house on the Reservation. Their church,
erected near Canoe Place almost two centuries ago. . . was so badly damaged by
the hurricane that it could no longer be used by them. It is significant that
all this should be done in 1939—one year before the white people of Southampton
Town and Southold Town will celebrate the three hundredth anniversary of the
coming of the first white people.
On Sunday, July 2nd, “Shinnecock Day” will be
observed widely in the churches of the county. Pastors will preach historical
sermons and an opportunity will be given to everyone to contribute to the
building fund of the new church. The official board of a church in Utica made a
contribution to the fund, stating they wanted to have a part in paying the
white man’s debt of honor.
Dr. J. Percival Huget, president of the County Council of
Churches, is chairman of the building committee. The Reverend Herbert E. Moyer
is treasurer. The architect is Arthur New man of Bridgehampton, and the builder
is Lester Raynor of Southampton.
The people of the Reservation are working hard under Miss
Halsey’s direction to prepare a pageant true to the life of their people. They
gather almost every night to practice. Mrs. Edward Foster and Leon Terry are
helping with the singing. Mrs. Corey of the Y.M.C.A. is helping with the games,
Miss Zella de Milhau with the costumes, and Miss Rachel Hartley with the
publicity.
The Presbytery of Long Island is backing the project and the
participants hope to make a good deal of money for their new church. Tickets
will be on sale at Corwith’s Drug Store and the Shinnecock children will sell
them.
A good cause, a good Saturday show, an inspiring Sunday vesper
service.
Photo courtesy Abigail Fithian Halsey Files | Southampton Historical Museum Archives and Research Center
Photo courtesy Abigail Fithian Halsey Files | Southampton Historical Museum Archives and Research Center
"Indian Pageant to be Presented"
Southampton Press
Friday, June 30, 1939
Suffolk County to Honor the Indians of Long Island;
“Shinnecock Day”
In 1940 two of Suffolk County’s ten towns, i.e. Southampton
and Southold, will celebrate the three hundredth anniversary of the coming of
the first English settlers. In giving thought to those who lived here before the
white man came and to their descendants in 1939 the people of the county are
showing an excellent spirit.
In 1639 there were thirteen tribes of Indians on the Island,
i.e. the Canarsie, the Rockaways, the Meracocks, the Massapeaques, the
Matinecocks, the Nissaquoques, the Setaukets, the Corchaugs, the Secatogues,
the Shinnecocks, the Patchogues, the Montauks. Offshore on Shelter Island lived
the Manhanset Tribe. The Indian population numbered many thousands. Three
hundred years later only one tribe remains—the Shinnecock. They still maintain
tribal government. Historians tell us that fifty years after the white man
came, one-third of the Indian population had disappeared. Today only a small
remnant remains. The white man’s ways, his diseases, his fire water, and
helping him fight his wars turned out to be deadly enemies to the red man.
On Saturday and Sunday, July 1st and 2nd,
at 3:30 p.m. on their reservation at the entrance to the Shinnecock Hills, the
Shinnecocks will enact three hundred years of their history in an historical
pageant. The pageant was written and is being directed by Abigail F. Halsey of
Southampton. The Shinnecocks have been working faithfully, doing all the manual
labor themselves, and making their own costumes.
“Shinnecock Day” will be observed in many of the churches of
the county on Sunday, July 2nd. Pastors will preach appropriate
sermons and an opportunity will be given to the people of the county to
contribute to the Shinnecock’s building fund. The hurricane of 1938 damaged the
reservation church so severely that it could no longer be used for worship. A
new church, equipped with social and educational facilitates is being erected
at a cost of $30,000. One half of this amount has already been raised. Dr. J.
Percival Huget, president of the County Council of Churches is chairman of the
building fund. Rev. Herbert E. Moyer of Bridgehampton is treasurer.
Wednesday, May 16, 2012
Abigail Fithian Halsey
| Abigail Fithian Halsey |
Abigail Fithian
Halsey
2 Oct 1873 - 14 Oct 1946
“Miss Halsey, previous to her coming to Ithaca, had served
some time in Red Cross work, and had taught in public and private schools [in
MN, OH] of the [NY] state. She had also had experience both in Camp Fire and
Girl Scout work.”
Founding member of Southampton Colony Chapter of Daughters
of the American Revolution.
April 1, 1921-July 1, 1922 | founding secretary of the
Community Building in Ithaca, NY
July 1, 1922 | Ithaca, NY, “Miss Halsey Resigns Post As
Secretary: Executive of Committee Building Leaves July 1 to Study in New York
City—Record of Work Accomplished at Local Home is Highly Commendable”
1922 | Study in New York City of “the work in which she is
particularly interested”
1927 | “Miss Halsey Has Had Wide Drama Experience”
“Miss Halsey, who has been engaged by the Farm and Home
Bureau to put on the Historical Drama for the Sesquicentennial Celebration
which takes place at the Drama [Club] for the Sesquicentennial [on September] 10,
was selected by the State Historian, with the enthusiastic endorsement of the
State College, as a drama director of state-wide reputation and experience. She
has, for a number of years past been connected with the Hecksher Foundation of
New York City, in its Educational Drama department.
Miss Halsey wrote and staged the great Pageant in 1924 at
East Hampton, L.I., and also the one given at Ithaca under the auspices of the
State College of Agriculture in 1922. She is the author of the booklet issued
from the press of the State College of Agriculture “The Historical Pageant in
the Rural Community.” Her efficiency as well as her personal charm and tact,
have already won her friends on every side in Kingston and throughout the
county, and are brining in recruits daily for the wonderful scenes in the
making of our state government that will be depicted in the stirring drama.”
September 3, 1921 | Ithaca, “49,000 Attended Tompkins Fair
President Says,”
Saturday, September 3, 1921 | Editorial: A Successful Fair
“If public interest and support are proper criterions the
Tompkins County Fair this year was a great success. Attendance records seem to
have been broken all the way down the line.
That the pageant played no small part in attracting the
public to the fair grounds is beyond question. Indeed it was the pageant that
made this fair distinctive from all other similar enterprises. The pageant
certainly made good. It was well worth while not alone as an educational
entertainment, but as an agency for stimulating community pride and solidarity.
Considering the relatively short time available for
preparation and rehearsal, the pageant was a most creditable success and Miss
Halsey and all associated with her in the enterprise well deserve the applause
and appreciation one hears expressed on every hand. And had it been possible to
provide better lighting facilities the pageant would have been even more
effective. It is to be hoped that if something of the sort is attempted again
the lighting problem will be adequately met.”
1932 | Chairman of Southampton’s George Washington
Bicentennial Celebration
1932-1946 | Historian, Town of Southampton
1940 | Author, In Old Southampton, Columbia University Press
Tuesday, May 15, 2012
275th Anniversary of Southampton: "a more sympathetic understanding between neighbors"
On June 12, 1915, the citizens of Southampton, N.Y., staged a historical pageant written and directed by my Great Great Aunt Abigail Fithian Halsey, commemorating the town's 275th Anniversary. In addition to being a teacher and one-time Southampton town historian, "Aunt Babbie" made a living writing stories, poems, and pageants.
According to the catalog of Babbie's papers held in the New York State historical archive, organizations which sponsored her pageants include: "The Dairymen's League Cooperative Association, the Heckscher Foundation for Children, City History Club of New York, the New York State Federation of Women's Clubs, and other civic or cultural organizations in Southampton, Sag Harbor, East Hampton, Riverhead, Ithaca, Kingston, Tappen, N.Y., and Cincinnati, OH." Among the topics covered in the programs were the Shinnecock Indians in Southampton, and the Women's Community Building and the Tompkins County Fair in Ithaca, N.Y.
One of the publications to which Babbie contributed was the Cornell University Extension Bulletin. Her article, "The Historical Pageant in the Rural Community," from Bulletin No. 54 in June 1922, features a photo of a woman in Puritan garb, accompanied by two children similarly clad. The photo depicts a scene from the 1916 Southampton pageant. I'm certain the boy in the photo is 10th-generation son of Southampton Charles Henry Halsey II, my grandfather, age 4.
In the article Babbie writes, "Fifty years ago the street procession was the usual form of American pageantry. Now the pageant is the dramatic representation of the life of a community, or of the development of an art, expressed historically, allegorically, or symbolically. This is a simple definition, but, for our purpose, a satisfactory one. Whether it is an historical pageant, an allegorical pageant, or a symbolical pageant depends upon the form in which we choose to present the life of our community. It is easy to look up the historical facts and portray them in a series; but the pageant will lose its best lessons if we depend upon facts alone for our materials. There are meanings below the surface of men's lives which can be expressed only in living pictures that represent spiritual qualities. This is allegory. There are lessons for the future which no portray of facts, nor even pictures of spiritual qualities, can teach, but which can be made clear only by some strong, symbolical episode which will for all time leave in the minds of its beholders a truth which cannot be forgotten. There, while it is perfectly possible to make a community pageant which shall be entirely allegorial or symbolical in form, it is better for our purpose to take the facts from the historical background of the community and use the other forms of pageantry 'to suggest the ideals and aspirations which have had a place in the development of the community.'"
According to a review of her article carried in the November 1922 issue of The Playground--the monthly publication of the Playground and Recreation Association of America--Babbie "offers practical and encouragement to rural communities desirous of making local history live through an historical pageant." Focusing on the "construction, presentation, music, costumes, committees, etc., of pageants," she claims as the pageant's purpose the development of a "local history as well as a more sympathetic understanding between neighbors."
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| Edward Post White, Sr., far right |
One of the publications to which Babbie contributed was the Cornell University Extension Bulletin. Her article, "The Historical Pageant in the Rural Community," from Bulletin No. 54 in June 1922, features a photo of a woman in Puritan garb, accompanied by two children similarly clad. The photo depicts a scene from the 1916 Southampton pageant. I'm certain the boy in the photo is 10th-generation son of Southampton Charles Henry Halsey II, my grandfather, age 4.
In the article Babbie writes, "Fifty years ago the street procession was the usual form of American pageantry. Now the pageant is the dramatic representation of the life of a community, or of the development of an art, expressed historically, allegorically, or symbolically. This is a simple definition, but, for our purpose, a satisfactory one. Whether it is an historical pageant, an allegorical pageant, or a symbolical pageant depends upon the form in which we choose to present the life of our community. It is easy to look up the historical facts and portray them in a series; but the pageant will lose its best lessons if we depend upon facts alone for our materials. There are meanings below the surface of men's lives which can be expressed only in living pictures that represent spiritual qualities. This is allegory. There are lessons for the future which no portray of facts, nor even pictures of spiritual qualities, can teach, but which can be made clear only by some strong, symbolical episode which will for all time leave in the minds of its beholders a truth which cannot be forgotten. There, while it is perfectly possible to make a community pageant which shall be entirely allegorial or symbolical in form, it is better for our purpose to take the facts from the historical background of the community and use the other forms of pageantry 'to suggest the ideals and aspirations which have had a place in the development of the community.'"
According to a review of her article carried in the November 1922 issue of The Playground--the monthly publication of the Playground and Recreation Association of America--Babbie "offers practical and encouragement to rural communities desirous of making local history live through an historical pageant." Focusing on the "construction, presentation, music, costumes, committees, etc., of pageants," she claims as the pageant's purpose the development of a "local history as well as a more sympathetic understanding between neighbors."
Wednesday, May 9, 2012
Tercentenary Pageant of Southampton Town
| Alma E. Bishop, knocking on door; Abbie Halsey, seated on left |
“Founded For Freedom”
August 14-15, 1940
By Abigail Fithian
Halsey
Episode One
The XVIIth Century
Scene 1
The Founding
The Commentator:
Behold an Indian village at the head of North Sea Harbor.
The wigwam of Nowedanah, chief of the Shinnecocks, is in the foreground. In
front of it the young women of the tribe are engaged in a corn planting
ceremony while the elder ones go about their daily tasks. Soon the warriors
return from the hunt. They lay their spoils before the fires and commence a
dance of Happy Hunting.
During the dance we perceive a sloop coming up the harbor. A
brave runs in bringing the news and hard on his arrival we see a band of
English Puritans land Conscience Point. The first woman on shore exclaims, “For
conscience sake we’re on dry and once more.”
The Puritans approach the Indians. They signify their desire
for land. Some men of the party come forward with a chest containing sixteen
coats. At the sight of the splendor the Indians agree to sell.
They draw up an agreement. “We do absolutely and forever
grant to the parties above the mentioned, to them and their heirs and
successors forever, all lands, woods and waters from the place where the
Indians hayle their canoes out of the north Bay to the south side of the
Island, from thence to possess all lands lying eastwood, to have an to hold
forever.”
But the Indians also demand corn to be paid after the second
harvest and the Puritans promise to give the Indians protection from their
enemies.
They then smoke the pipe of peace and guide the colonists to
Old Towne where the settlement is made.
Original Undertakers:
Edward Howell
Edmund Needham
George Welbe
John Cooper
William Harker
Thomas Newell
Thomas Terry
Josiah Stanborough (who came later)
Daniel Howe, Captain of the vessel
Edmond and John Farrington
Thomas and Job Sayre
Hentry Walton
Allen Bread
Thomas Halsey
Richard Odel
Philip and Nathaniel Kyrtland
Thomas Farrington
Episode One
Scene III
Early Days and Early Ways
The Narrator:
The new Towne Street in 1649.
The Colony has grow ad prospered. Each freeholder owns his
three acres of land on the street but farms and woodland are still common.
Incomers must buy on the Great Plains. We see two fence-viewers “perambulating
the bounds” nd with them a small boy who will be spanked at the bound, the
better to impress his memory. The chimney viewers and cow keepers are busy. A
group of young women are quilting a bride quilt for Margaret Howell whose banns
are up. Next month she will marry Rev. John Moore of Southold. The unhappy
Edmund Shaw sits despondent in the stocks ffor his excessive indulgence at John
Cooper’s Tavern. Young Peregrine Stanborough takes his stripes for stealing
green apples from Thomas Sayre’s orchard. Sarah Veale, attended by her faithful
husband, Thomas, sits with a cleft stick on her tongue, while the Constable
recites publicly “exhorbitant words of imprecation” she ahs used to the village
reprobate, George Wood.
The Commentator:
Into this peaceful scene break two Pequot Indians. Phoebe
Halsey (wife of Thomas) is coming from her home with her little daughter,
Elizabeth. The Indians drag phoebe into the house and scalp her. The child
escapes. Thomas Halsey, his three sons, and the nearby men puruse the murderers.
They are met by Wyandanch, Chief of the Montauks, friend of the white man, who
has caught the murderers. He delivers them to the Magistrates, who put them
into the pillory until they can be sent to Hartford.
First Interlude
Children Play In The Olden Way
Their Games:
Farmer in the Dell
Looby Lou
London Bridge
Bull in the Ring
Once there was a Lassie
Episode Two
The XVIIth Century
Scene I
Town Meeting Day During the American Revolution
The Narrator:
Our great day of the year has come again. The street is
filled with men, women and children from the length and breadth of the town of
Southampton. Peddlers crying their wares and visiting Indians scurry about. The
Town crier calls the meeting. The election is interrupted by a rider brining
news of Lexington. Jesse and Elias Halsey and a friend set off by row boat to
Connecticut. Scarcely are they out of sight when the post rider gallops in with
news that Fort Ticonderoga has fallen to the Americans.
At once Captain John Hulburt assembles his Company of Minute
Men. The first Stars and Stripes made by the women of Southampton Town is
presented to the departing company.
Col. William Erskine of his Britannic Majesty’s Army rides
in with his Aides coming to demand provender, to be refused at the Town’s
peril.
When he has ridden away the dejected people return to their
homes while Captain Elias Pelletreau, the old silversmith, organizes a home
defense.
SECOND INTERLUDE
An Anthem to Liberty Sung by the United Choirs of
Southampton, Hampton Bays, Bridgehampton, Sag Harbor
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